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Magical Flower Magical Flower Magical Flower Magical Flower

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Magical Flower
Magical Flower
Magical Flower
Magical Flower
Magical Flower
Image of your art work hanging on the wall
Image of your art work hanging on the wall
Image of your art work hanging on the wall
Image of your art work hanging on the wall
Image of your art work hanging on the wall
Image of your art work hanging on the wall

Magical Flower

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W 60.00cm x H 80.00cm x D 2.00cm

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  • About this Magical Flower

    Detail

    Medium

    Painting (Acrylic painting)

    Edition

    Original Artwork

    Year

    2021

    Sign

    Artists' signature on the front of the canvas

    Frame

    Unframed

    Description

    "Magical Flower" complements the previous work "The Orange Petal and White". The central poppy is so expressive that you notice others in a while.

    “Magical Flower”, October 2021. Acrylic on cotton/linen canvas. 80x60 cm. Gloss varnish.

  • About this artist

    Inna Sumina

    Inna Sumina

    Russian Federation

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    Concept

    My paintings reflect my inner world, I would call it a «garden». What is this garden like? It is often abstract, a little bit chaotic or on the contrary - pretty much ordered, or even unpredictable, somewhat bright..

    In my artworks I am ponding over the fleeting of time. The idea of seizing the moment is opposed to the pursuit of momentary pleasure in a consumer’s society.

    Awareness becomes means of slowing down and perceiveing the beauty of nature here and now. Using the images of flowers, I analyze the transience of life and draw a parallel between human life and the stages of a plant’s growth (luxuriance of blossoming - slow withering). Flowers in my paintings can be dramatic tended to destruction...or they can be fragrant and full of life, thus reflecting the ever-changing character of our days.

    I prefer black (dark) background for paintings: it helps me to emphasise how fragile and vulnerable is the soul of a flower, reveal its fleeting beauty, which strives to be noticed during these odd times. Thanks to the black tones of the background other colors become saturated while the whole image gains its structure. Using this dark, deep non-existence as a basis, I derive intuitive images which are recognized as silhouettes of flowers by the spectator.

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