How could I explain nothingness, the sublime, eternity. How could my words express the perfection of this wonderful world that surrounds us. Although they seem to be from another dimension, my creations are inspired by what I see every day and fascinate me: reflections on the sidewalks in fresh puddles after the rain, copper and late green leaves projected on weathered walls, seconds of autumn sunlight, Rubensian roundness of clouds at the end of a September storm. I, in fact, am not a painter, I am a kind of jeweler who mixes these fantastic fragments from my little world in which Art breathes, a jeweler with a desperate desire to look for the beautiful in the ugly, but especially in the perennial, after time.
I present to you a new work in the series "Between the Dark and Divine" / " Gathering the nectar of the night "
acrylic painting on canvas, varnished, very large size: 120 x 120 cm
signed Kloska September 2024 / will be shipped with a certificate of authenticity containing the details of the work and the name of the collector.
If you manage to reach me in this presentation page is not by random. I don't belive in coincidence. It means that we are vibrating on the same frequency on this existence and we understand the world in the same way. I am not an "easy" artist, my works are elaborate pieces of art and my universe was biuld in many years of searching and hard work. My collectors are designing their all space by my art and they are not selecting the painting to match with the couch. I think I am one of the best, original, creative and spiritual abstract painting in the world. I don't seek celebrity, fortune, I am just greatfull to be able to keep creating every day and have a normal life with my family. I have created many artworks, I have pieces all over the world and I hope, in time, my art will grow and will be recongnise as one of the important one in art history. I am confident that I will leave a great legacy for the next generations.
But, first of all, I am trying to give a certain allure to the works, and I think my stamp is very much related to the approach to light and the treatment of light in painting. I am very interested in the ephemerality we encounter around us. I am influenced and inspired a lot by walls in run-down areas, cracked pavements, rusted fences. There is an absolutely fascinating plasticity in these areas, and my art has a lot of elements, structures and terra-morphisms that I discover in these walks that I do and that I sometimes record and photograph because the details are easily forgotten.
I have several series of works; I remember the first series, which was more unified, better defined: it was the theme of angels. I really liked the idea of humanizing the angel and trying to paint certain compositions where the inhabitant of the interval, the angel, seems somewhat trapped in our world. Thanks to these angels, critics, at least in Romania, attach an interesting approach to the angel and appreciate "Klos
