Title: from the series " Between the Black and Divine " - " Composition 52 ", signed on May 2024
Technique: acrylic painting on stretched canvas / professionally varnish / ready to hang
painting size: 40 x 40 x 2 cm
signed Kloska 2024
If you manage to reach me in this presentation page is not by random. I don't belive in coincidence. It means that we are vibrating on the same frequency on this existence and we understand the world in the same way. I am not an "easy" artist, my works are elaborate pieces of art and my universe was biuld in many years of searching and hard work. My collectors are designing their all space by my art and they are not selecting the painting to match with the couch. I think I am one of the best, original, creative and spiritual abstract painting in the world. I don't seek celebrity, fortune, I am just greatfull to be able to keep creating every day and have a normal life with my family. I have created many artworks, I have pieces all over the world and I hope, in time, my art will grow and will be recongnise as one of the important one in art history. I am confident that I will leave a great legacy for the next generations.
But, first of all, I am trying to give a certain allure to the works, and I think my stamp is very much related to the approach to light and the treatment of light in painting. I am very interested in the ephemerality we encounter around us. I am influenced and inspired a lot by walls in run-down areas, cracked pavements, rusted fences. There is an absolutely fascinating plasticity in these areas, and my art has a lot of elements, structures and terra-morphisms that I discover in these walks that I do and that I sometimes record and photograph because the details are easily forgotten.
I have several series of works; I remember the first series, which was more unified, better defined: it was the theme of angels. I really liked the idea of humanizing the angel and trying to paint certain compositions where the inhabitant of the interval, the angel, seems somewhat trapped in our world. Thanks to these angels, critics, at least in Romania, attach an interesting approach to the angel and appreciate "Kloska's Angels" because they are very good works in this artistic area.
Then I really liked to approach the idea of landscape differently in the sense of openness, of dense forest with clearings, but starting from figurative elements, I move into an area of universal creation. For me the initial form, for example that of the tree, is very important, but then I try to generate certain steps of modification of the main symbol and in this way I made a series that I called "Beyond the Inside" which for me is by far the most interesting and elaborate. I have another series of works, "Kafkian eternity with flowers at 7 pm", where I delicately approach the theme of static nature. I'm very interested in personal time, and even though it's widely used by many artists, I find it a fascinating theme because it's ver
