Fabricq Monster I

Concept

Art has to be an honest delivery of emotional matters, through color, using specific techniques, still, while trying to move onwards into a more authentic delivery of images. It is transformation as an artifice. Color changes, it is something far more dynamic than what we perceived at first. Also it happens to technique: we have to invent new.
I try and become an avant garde of my own self. What I change is collage and brick-collage through the idea of quodlibet; or I use differed manners in the way to proceed with oil painting, whether from the palette or in the brushes' action; even so, create an identifiable use of charcoal and graphite that leads the public into acknowledging the lines that (coming from my hand) have description within collective perception.
Having to evolve relating with religious art, the public sphere of art, reproduction of pieces, the trascending educational morals in artwork, and design of relational pieces have propelled me as well as a solo exhibit with a handful of collectives, as fairs.