White Rhino

Concept

He directions of art are contrary to the popular work, the specialization of the sequences, and the structures originate in the simultaneities of the artist, together with their experiences. Modern and ancient processes follow a parallel history, to guide the author, with appealing alternatives, between colors and indefinite lines, he fixes himself on the new, on human diversity itself.


Training is an important field within the artistic event, however it is a tiny fraction of what the imaginary offers the artist, since dedication is an objective weapon to include discoveries with a concise interpretation and of choice to the scrambled generalities that the artist must select, after breaking them down away from banalities and caprice. In the artistic virtual way there is another type of contemplation, animated and discouraged by the bodies, understood from an electronic nature, from the interest that resides in playing an allegorical role, for the new aesthetic of the virtual, made up of systematic elements, which generate a social position based on technologies; recognizing another aesthetic far from the extravagance, and from an existential mechanism in art.


The cultural foundation, in the artistic divergence structured in the virtual, is stratified in an establishment of the equality of forms.


The work of Saúl Sotelo, shows us, in addition to the knowledge of oil, human realism in the plastic through the virtual story, where the spirit skillfully moves from the screen to the canvas; the intangible is absorbed between nuances, and experiential backgrounds without resorting to the interpretive manual, freedom and the translation of artistic content from technology, prevails to open a genre of transcendental concurrence. Sotelo's works precisely contain that charisma that is created from virtuosity to virtuality.