it can be said that his paintings in a phase called "Materiality and Gestureability" balance materiality and fluidity in the construction of the field Pictorial. The colors gain their own expressive potentialities, emerging a chromatic mass, which expands breaking the physical limits of the work, creating tactile-visual sensation. Thus, the image tends to deform and distort, due to the gestuality, the accelerated rhythm of the brushstrokes and the approximation of colors. The result of this process is a painting in which the pictorial matter begins to have its own existence.