
Art Room Tips Vol.4 Red as an accent to elevate the dining room
"I'm tired of a simple dining room..." If you have such a problem, why not try red abstract paintings, an accent color for advanced interior decorators? child...
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USD $3,000.00
Painting (Acrylic painting)
Original Artwork
2023
Artists' signature on the front of the canvas
Unframed
Patrick Piccinelli stayed in Rome with his wife in 1980. His visual memory recorded the multitude of graffiti that covered the walls. An art student at the time, he was literally enthusiastic about the poetic encounter between the different periods (ancient, renaissance, contemporary) of the city that exist simultaneously in the streets of the Italian city.
This painting has an improvised “writing” zone like tags. Piccinelli uses this spelling in contrast to the geometric structure.
Graffiti was very present in the city of Rome in the 1980s. It was often used as a form of artistic and political expression by young Romans of the time.
City walls were often covered in graffiti, drawings and political messages. Graffiti could be found throughout the city, but was more common in outlying neighborhoods and industrial areas.
Switzerland
Patrick Piccinelli (1959) was born in Yverdon and lives in Autavaux. His pictorial works explore the visual dialogue between notions of structure and randomness in the search for a balance between minimalism and expressionism. He parasitizes with relish his minimal paintings. He is a graduate of the University Of Art And Design Lausanne, Switzerland( ECAL), a highly reputed art school, where he worked particularly with Jean Otth and Pierre Chevalley. His works have recently been acquired by collectors in the United States, Japan, Taïwan and Switzerland.
"I am a painter, color fascinates me. For me, the status of painter is a great privilege! From the beginning of my research, at the end of my studies, I considered that a successful painting must be like a joyful feast for the eyes of the viewer. My goal is unusual beauty, aesthetic astonishment. These elements persist through-out the years and are the foundation of my artistic work. However, the search for greater simplicity has evolved, in order to communicate in the most intense way with the fewest possible elements!
I am interested in the visual dialogue between the notions of structure and randomness. This particular field of expression is explored by contemporary jazzmen who improvise (the random) within a melody (the chromatic composition) and a rhythm (the geometric structure)."
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