
Art Room Tips Vol.4 Red as an accent to elevate the dining room
"I'm tired of a simple dining room..." If you have such a problem, why not try red abstract paintings, an accent color for advanced interior decorators? child...
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USD $800.00
Painting (Acrylic painting)
Original Artwork
2023
Artists' signature on the back of the artwork
Unframed
The wind of passage is like a dancer who crosses the stage with lightness and grace, without lingering or settling in one place. Just like the blowing wind, it can breathe new life and refresh the painter's inspiration. A passing wind can also be fleeting and ephemeral, quickly dissipating into oblivion.
Ultimately, the passing wind can be seen as a symbol of life itself, which is fleeting and unpredictable. Just like the wind, we can have moments of lightness and freedom, it is a visual metaphor for the extraordinary freedom of the painter who, under the inspiration of a short moment, places a color on his canvas and transfigures it.
This composition on Arches paper has a "writing" close to the graffiti of the Street Art movement.
The blue square is made with a mixture of ultramarine blue. cobalt blue and a little titanium white.
Switzerland
Patrick Piccinelli (1959) was born in Yverdon and lives in Autavaux. His pictorial works explore the visual dialogue between notions of structure and randomness in the search for a balance between minimalism and expressionism. He parasitizes with relish his minimal paintings. He is a graduate of the University Of Art And Design Lausanne, Switzerland( ECAL), a highly reputed art school, where he worked particularly with Jean Otth and Pierre Chevalley. His works have recently been acquired by collectors in the United States, Japan, Taïwan and Switzerland.
"I am a painter, color fascinates me. For me, the status of painter is a great privilege! From the beginning of my research, at the end of my studies, I considered that a successful painting must be like a joyful feast for the eyes of the viewer. My goal is unusual beauty, aesthetic astonishment. These elements persist through-out the years and are the foundation of my artistic work. However, the search for greater simplicity has evolved, in order to communicate in the most intense way with the fewest possible elements!
I am interested in the visual dialogue between the notions of structure and randomness. This particular field of expression is explored by contemporary jazzmen who improvise (the random) within a melody (the chromatic composition) and a rhythm (the geometric structure)."
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