"The composition of this serigraph, which articulates colored impacts around a cross, is immediately linked to a certain tradition of geometric abstraction and in particular of Swiss concrete art. But if" nothing is more concrete , more real than a line, than a color, than a surface ”(Theo van Doesburg, 1930), it is of a completely different literality than that advanced by the abstract painting in question. indeed an element taken from a widely used industrial reality.This is a cromalin, a printing term designating the high definition color proof intended for the validation of a document during printing, that the 'found in most packaging ...
About David Hominal's silkscreen, "4 colored circles, with blue cross, no border."
Center of Contemporary Art Geneva
Titanium white, dark dioxazine purple, mauve aerosol spray, black paintmarker, satin acrylic varnish, glossy acrylic varnish.