Work realized with acrylic on linen canvas, mounted on a wooden frame. Portrait in deconstruction, making visible the invisible.
The woman's face is fragmented, as if torn apart, partitioned between colors and black and white.
The face alone is no longer the master of the painting, associated with floral elements it blends with the background the whole becoming a unit, as the ying and yang does not work without each other, two facets of this woman are revealed; a dark side and the other more luminous. She then has several faces that stare at us.
