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ALIEN FAMILY TREEALIEN FAMILY TREEALIEN FAMILY TREEALIEN FAMILY TREEALIEN FAMILY TREEALIEN FAMILY TREEALIEN FAMILY TREE

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ALIEN FAMILY TREE
ALIEN FAMILY TREE
ALIEN FAMILY TREE
ALIEN FAMILY TREE
ALIEN FAMILY TREE
ALIEN FAMILY TREE
ALIEN FAMILY TREE
ALIEN FAMILY TREE
Image of your art work hanging on the wall
Image of your art work hanging on the wall
Image of your art work hanging on the wall
Image of your art work hanging on the wall
Image of your art work hanging on the wall
Image of your art work hanging on the wall

ALIEN FAMILY TREE

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W 164.00cm x H 125.00cm x D 1.00cm

USD $4,784.00

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  • About this ALIEN FAMILY TREE

    Detail

    Medium

    Painting (Acrylic painting)

    Edition

    Original Artwork

    Year

    2009

    Sign

    Artists' signature on the back of the artwork

    Frame

    Unframed

    Description

    mixed technique on paper and white painted table. cm.164 x 125. 2009.
    The work depicts a series of portraits of aliens arranged in a genelogical tree.
    The painting is made up of 15 individual works glued onto a white painted table. The individual portraits are made on paper and mixed raw pigments and acrylic resin on collage.
    The painting is made on paper glued on a table with a back chassis.

  • About this artist

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    Concept

    For several years now I have been working with different media and artistic typologies, simultaneously carrying out different lines of research both in the pictorial field, where I work in thematic cycles, and in the field of plastic arts, ranging from subtractive sculpture with found stone material, to assemblies and installations. , often combining recycled materials and waste.
    In the pictorial cycles the themes are often of a historical-political character and of social denunciation, as in the ""work"" or ""face mask"" cycle with references to the First World War and the Spanish epidemic. The painting technique I use reflects the studies I made on 17th century European painting, both on materials and on operational methodologies.
    While in the sculptural works I operate in a less clear way, always dealing with issues of a socio-political nature but through the use of materials, their recovery and transformation. From waste to aesthetic object not for the simple Duschampian ready-made, but for the manual transformation of the object-waste that is transformed into an aesthetic object with manual and re-creative work as in ""Time machine"".
    I also like to tackle the site-specific, always stimulating for an artist who has to dialogue with a certain context without imposing his will and ego, with this in mind I worked with the methods of land art in works such as ""Golden fish"". Ultimately I try to make the most of my talent to be able to say and make people reflect on some socio-political and cultural issues."

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