When I work on a figurative painting, it is usually based on a photo. I draw the figure on a Bristol board and transfer it into the canvas, which I already primed with a first layer, and then start painting the figure. Towards the end, I start to incorporate abstract elements into the painting. This part is the most satisfying step because I get to let my imagination go again. Sometimes the abstract parts are minimal, and sometimes they are more pronounced, depending on the mood I am in and on the specific piece I am working on