(acrylic paint, lacquer spray, charcoal, Japanese paper, wood) Float mounted on a wooden frame. The camera and projector are connected, and by shooting and projecting in the same direction, a phenomenon like a mirror of the images is created. Spread" is an installation in which various images appear by using the space itself as the subject. Spread follow" is an application of this work. When a panel is placed on the image projection surface and one's own body is photographed, one's own body is projected in a series of gradually shifting movements, resulting in the appearance of a variety of irregular images. As the image in the video is affected and changes with each movement of the artist, the artist places the paint in such a way that he can guess and perceive the changes. He challenges images that cannot be followed, and selects fragments of images that appear momentarily with determination at each moment. He directly incorporates the "pause," which is common to his three-dimensional works, into the physical part of his work, and aims to draw as if he is playing a game of pause. At the beginning of the painting, he follows the waves of movement and energy of the image, and then follows the surface of the spread of colors. Finally, by the time I follow the forms and lines, I am forced to become aware of the composition of the painting as a whole. From the unconscious and coincidental coloring and arrangement in the initial stage, the artist gradually becomes conscious of the composition of surfaces and lines, and this is where the pictorial nature that aims for the formation of a painting is born. In addition, panels can be developed as video installations by projecting video recordings, even though they are independent works as paintings, and thus they will have several layers and illusions.
