He uses acrylic paint and pen (ink) to express a sense of life and dynamism beyond the painting. He uses acrylic paints on watercolor paper to create a base, and applies Japanese paper in places to create the matiere. After a period of relying on the strength of black, he has been using acrylic paints with a lot of water, like watercolor paints, to create a screen using the "nature" created by the "accidental" difference in drying time when the paints are placed, poured, or smeared. I have added "inevitability" to these by drawing in lines with a pen and creating an accumulation of them. I want to express the "depth," "back" and "beyond" of what is visible on the surface. In order to create a deeper world, I needed to create a three-dimensional form of Japanese paper. I would like to evolve my work with glue, washi paper, and iwa-enogu (mineral pigments), which I started working on after this exhibition. I would like to experiment with various types of glue and washi. Recently, I have been incorporating driftwood from the sea and dams to express a deeper sense of life and dynamism with the help of the power of the materials. Feeling the sense of life created in the picture, I realize that I, too, am alive and being kept alive. I want to be the first witness to a world I have not yet seen. I would be happy if you could see the works created through this transition. The work will be watercolor paper on wooden panels, but the photo on the back is a temporary stretching. Once you decide to purchase the work, we will water-stick it properly.
