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やさしい風やさしい風やさしい風やさしい風やさしい風

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やさしい風
やさしい風
やさしい風
やさしい風
やさしい風
やさしい風
Image of your art work hanging on the wall
Image of your art work hanging on the wall
Image of your art work hanging on the wall
Image of your art work hanging on the wall
Image of your art work hanging on the wall
Image of your art work hanging on the wall

やさしい風

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W 33.30cm x H 33.30cm x D 5.00cm

USD $212.51

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  • About this やさしい風

    Detail

    Medium

    Painting (Acrylic painting)

    Edition

    Original Artwork

    Year

    2023

    Sign

    Artists' signature on the front of the canvas

    Frame

    Unframed

    Description

    Using Japanese paper and iwa-enogu (mineral pigments), he expresses a sense of life and dynamism beyond the painting. He creates a base with acrylic paint on watercolor paper, glues the washi paper, and applies the colors with iwa-enogu. After a period of relying on the strength of black, he has been using acrylic paints with a lot of water, like watercolor paints, to create a screen using the "nature" created by the "accidental" difference in drying time of placing, pouring, and smearing the paints. I have added the "inevitable" to the "inevitable" by drawing in lines with a pen and creating an accumulation of lines. In order to express myself more strongly and deeply, I experimented with a variety of matiere, and arrived at Japanese paper and glue. By applying glue, Japanese paper shows a new expression. There are many different types and thicknesses of washi, and by applying glue many times, the paper becomes very hard and strong. The unique tints and different particle sizes of iwa-enogu, which are unique to iwa-enogu, are also attractive for their wide range of expression. The artist carefully interacts with the paints, boiling the glue and loosening the paints with his fingers. It is also an exciting time to see how the paint looks from the front by peering at the hidden surface on the reverse side of the washi, or to have the paint cover the hemp threads of rakusui-gami. I want to express the "back," "behind" and "beyond" of what is visible on the surface. In order to create a deeper world, I needed to make the Japanese paper three-dimensional. I feel a sense of life created in the screen and realize that I am also alive and being kept alive. I want to be the first witness to a world I have not yet seen. I would be happy if you could see the work created through this transition.

  • About this artist

    Follow

    Concept

    The paint is drawn on acrylic paint pen.After the time of relying on the strength of black, I use acrylic paints like watercolors to make the bases bleed and bleed, and then develop them from there.
    "Natural" expressed by the difference in dryness of paint that is created on the screen by putting or flowing paint "Natural" Introducing one's own thoughts, thinking the expressed ink lines and shaded paint as "necessary" By combining them and expressing them on the screen, a new world is created.
    I want to create life on the screen and realize that I am also alive. He always expresses that he wants to be the first witness of something he hasn't seen in himself. It is an important treasure for me. I want to represent “now” that cannot be overlooked for a moment.

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