The most recognizable figure on the screen is the dancing woman. It is a sort of miniature representation of her life from before she goes on stage to after she leaves the stage. The vague white shadows around her are the audience, the consumers, who are watching her. I think the acrylic painting in the corner is particularly clear. The dancing woman walks away from the stage, covered by the formlessness of the consumer may be. The consumer, on the other hand, remains in an ambiguous form and does not move off the stage. They will just wait for a new object to consume again. The woman on the far right, who is about to dance, is looking at the whole thing and is in a cowering pose. But the question of whether being consumed is really evil is at the root of it. For a dancer, the experience of being seen dancing is a glorious page in her life. My work was selected for the Shell Art Award.
