For this piece I liked working in mixed media because I could use images of Elvis and alter them in various ways with acrylic and oil paint as well as with what I call graffiti, using phrases, names of songs, and labels people put on Elvis. Elvis was so talented in many ways that a mixed media piece reflects that multiplicity.
While making these art pieces, I felt a huge heart connection to Elvis, which I didn’t understand, never having been a big fan. I remember him in the late 50s, early 60s but once he started making movies, I lost interest.
In my early twenties, he came to Phoenix, where I was living, to perform. I can’t remember why I thought it would be cool to try to get into his hotel room and meet him. Somehow, I found out where he was staying. My friend Charles and I dressed up in what we thought were southern belle and gentleman outfits and proceeded to find the floor Elvis was staying on. When we got off the elevator, we were faced with a very long line of bodyguards and cops. I spoke in a southern accent and tried to convince these guys that I was a long lost relative and wanted to surprise Elvis with a visit. I almost made my case but ultimately was not successful.
When I saw Baz Luhrmann’s film, I became obsessed with Elvis. I couldn’t stop listening to his music and I watched every video I could find, listened to all the interviews with his friends, girlfriends, and bodyguards. My preoccupation led me to make these art pieces.
After I made several Elvis pieces, I discovered that he and I are cousins, related to the 9th president of the US, William Henry Harrison, and the 23rd president, Benjamin Harrison.
Something in the film no doubt triggered the realization in my body that I share a generational connection to Elvis. I understand more deeply how important it is to follow one's intuitive drive into the unknown. We never know what magical surprises await us!
