【Exhibition】BLOSSOM - tomo solo exhibition
9s Gallery is pleased to present "BLOSSOM tomo solo exhibition" from 2024/6/15 (Sat) to 2024/6/23 (Sun). In this exhibition, Tomo will be showing his popular series "ICHIRIN SERI...
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USD $4,700.00
Drawing (Oil painting)
Original Artwork
2022
Artists' signature on the front of the canvas
Unframed
Pia Andersen decided to dedicate a larger part of her time to work on paper.
Paper is a noble material and it gives you many other possibilities than those of the canvas, although the way she works with different types of pastels, more or less oily,
makes her able to create a space in the color here as well. - The paper itself adds one more dimension
depending on the grains and structure of the surface, leaving tiny light glimpses as an inner power of light.
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Nature is as always Pia Andersen’s inspiration. This work is called ESPACIO FLORIDO meaning the blooming space.
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The paper size is 116 x 105 cm while the picture itself measures 100 x 90 cm. the work is not framed, but Pia Andersen wants to recommend
framing it with a passepartout and, if possible, with museum´s glass. - The museum´s glass tends to strengthen the colors, it
protects the paper and it has no reflections in the surface.
Denmark
"I paint the way I interpret nature and by doing that, I create a new nature, a personal surface of nature in its own right.
Nature is not only fields, woods and lakes. You find nature in innumerable variations and forms.
My inspiration comes from the countries I have visited, the mountains I have climbed, the light shining in a certain way in a specific moment.
“The landscape” is present in my painting one way or another since the mid 90s.
“The light” always has been of major interest. I have worked and am working with the light in the surface, in the layers and in the themes.
The way I apply the oil-paint allows me to manipulate the light. I create an uneven surface to make the finished dry painting play with light and shadow.
The layers in the painting allow me to construct a color from dark towards light or vice versa, guiding the light of the painting in a completely physical way.
I work intuitively using the impressions from my daily life, art I have seen, travels I have made and nature I have lived.
When I have constructed the framework of a painting, I add a color. This color pushes the composition and not only demands but defines the next color.
Here starts the dialogue with the painting.
You must dare without knowing when or where it ends, let go and direct in one movement.
The studio is a laboratory of visual alchemy
Color is not only what the eye registers; it is the memory of the color.
One color is born by the disappearance of another, like when the sun moves, or a leaf is turned.
Like color is relative, born by its neighbors; perception also is relative depending on the knowledge, history and situation of the spectator.
Painting is my attempt to communicate consciously and unconsciously.
I want my paintings to activate the memories of the viewer; to create a pleasant but also puzzling presence and to provoke associations.
"
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