With this graphite drawing on paper, it is about the symbolic place of the forest in the West.
It was after reading an essay on the Western imagination by Champs / Flammarion editions by Robert Harrison that this drawing was constructed.
The symbolic image of the forest is closely linked to the man-image-body constellation, and its etymology is significant, since the Latin word “foresti, foresta” means “outside”, “away” and it is all the stake of this metonymy, the conscious is put aside, outside the unconscious, the man is put aside, outside the forests.
The forest is not just one symbol among many; it is the symbol of symbolism.
And so before the first metropolises, the bandits, the recluse, the marginalized hide in the thick forests ...
A figure is at the edge of the forest, between the cultivation of a field and the tangles of trees, the almost impenetrable undergrowth. Its position - back to the field and facing the wood - reveals a state of consciousness facing the unconscious psychic instance ...
The forest is clear, diaphanous, the tangle does not seem chaotic and dark but rather bright.