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the struggle II

the struggle II

W 21.00cm x H 29.00cm x D 2.00cm

USD $312.00

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  • About this the struggle II

    Detail

    Medium

    Drawing

    Edition

    Original Artwork

    Year

    2021

    Sign

    Artists' signature on the back of the artwork

    Frame

    With case

    Description

    I chose the image of two wrestlers to evoke this perpetual fight that we wage body and soul with the image of the other (ourselves) and that of the world. It could be the coat of arms, the emblem of our contemporary era and the symbolic image of the conflict between consciousness and the unconscious, reason against the sensitive.
    This image of the forest represented here by the tree, obstructs our field of vision, and the two wrestlers sometimes appear hugging the tree - to uproot it or to keep it in the ground - at other times opposing themselves under a tree, which would be the decorum of their predominant conflict.
    Again the silhouettes disappear to leave the scene under the tutelage of the nature of the world.
    My technique: I make paper pulp with old cardboard that I wash and crush and that I apply on a linen canvas on a frame. Then once dried, I sand. For the drawings on a black background, I apply a matt gouache and draw with graphite.
    This series is made to interact with our movements and light.
    Depending on your movement and its exposure to light, the image disappears or appears. It is a vision that can remind us of the playing field of our psyche, the continual swing between consciousness and unconsciousness or even the enigmatic discourse of dreams.

  • About this artist

    Concept

    For several years now, I have focused my pictorial activity on the imaginary world of forests.
    It is in the forest that my drawings are developed, a place of catharsis where the three elements reigns; mineral, plant and animal intermingle, a space where the human psyche confronts itself.
    This place (topos) becomes the scene of the collective unconscious, the cultural imaginary at its roots in this collective unconscious, which slips into our dreams, and our psyche identifies the forest as a great image of our unconscious.
    The symbolic image of the forest is closely linked to the man-image-body constellation, and its etymology is significant, since the Latin word “foresti, foresta” means “outside”, “away” and it is all the stake of this metonymy, the conscious is put aside, outside the unconscious, the man is put aside, outside the forests.
    The forest is not just one symbol among many; it is the symbol of symbolism.
    And I would like to quote an author who shed light on the imaginary world of forests in his essay on the Western imagination, published by Champs / Flammarion, Robert Harrison (page 287) ... We generally translate the Greek word logos by language, but originally it means relationship ... it connects men to nature in the mode of openness and difference. It is in him that we inhabit and through him that we enter into relationship with such and such a place. Without logos there is no place, there is only habitat, nothing but niche, no residence, nothing but sustenance. In short, the logos is what man makes his home on earth. This domicile is designated by the word
    "Ecology". In Greek, oikos means house, domicile the Latin domus. Thus the word ecology designates much more than the science of ecosystems; it designates being to the universal human world ... We do not reside in nature, but in our relationship to nature. We do not inhabit the earth, but its overtaking. We do not live in the forest, but in an area outside its fence.
    Today all my work as a plastic artist is based on the fragility of this consequence: the forgetting of this exclusion that has existed for millennia between man and the forest and which is complicit in its destruction.
    Just as the conscious perceives itself outside the unconscious because we think we exist outside of ourselves -projection- I would like to reintroduce not man into the forest but the forest into man.

  • FAQ

    Does this art work need a frame?

    In many cases, art works with a canvas stretched over a wooden frame can be displayed as is. Thin art works other than canvases are easier to frame. For any questions or concerns please chat us.

    Are there other sizes for a similar type of artwork?

    A Depending on the artist, request consultations are available. For any questions or concerns please chat us.

    What kind of hardware should I use for hanging the artwork?

    • If you are concerned about repayment costs, such as when renting a house, wall pins and hooks that do not leave noticeable hole marks are available at major DIY Store and art supply stores.
    • If you want to hang a canvas with a hook, a hook type with a long hooking surface, such as a V-shaped type is recommended.
    • If there is a string on the back of the canvas or the back of the frame, you can hang it with a pin type that has a short hooking surface.
    • For any questions or concerns please chat us.

    What happens after purchase?

    • You will receive an email after we confirm the shipping date with the artist.
    • TRiCERA will arrange delivery and provide tracking information.
    • Our experts will assist you with installation, framing, and other aspects of the installation before arrival.
    • We offer a return policy within 14 days of receipt. (Except for the optional frame orders)

    About Shipping Fee and Return

    Shipping fees will be automatically calculated based on your shipping destination country and the origin country from which the artwork is shipped. You will find the exact shipping cost in step 2 of the checkout page. We, TRiCERA, Inc., will cover any import duties, taxes, or brokerage fees. Returns are free of charge within 14 days of receipt if there is a problem with the artwork.

    What types of payment are available?

    You can use major credit cards (excluding JCB), PayPal, amazon pay, ApplePay, GooglePay. We also accept bank transfers if you are in Japan.

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