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Taro Yakumo

ヤクモタロウ

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Taro Yakumo(ヤクモタロウ)

Concept

Taro Yakumo presents works that recall the refrains of 1980s and 1990s American pop art, offering an alternative expression of pop art. His art delves into the nature of consumption and mass culture. In an era of mass production and consumption, individuals are surrounded by an abundance of products...
Taro Yakumo presents works that recall the refrains of 1980s and 1990s American pop art, offering an alternative expression of pop art. His art delves into the nature of consumption and mass culture. In an era of mass production and consumption, individuals are surrounded by an abundance of products and information, and their identities and values are shaped by their intimate relationship with this rapidly evolving consumer society.

In today's society, where information and images are overwhelming, Yakumo Taro aims to create new visual experiences. Through social commentary, political messages, playfulness, and humor, he offers a comical perspective that prompts us to contemplate human existence.

Furthermore, by incorporating motifs that symbolize nations and commercialism, his works satirize power structures, the nature of commercialism, and human desires within consumer society.

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Find 7 original artworks & pop-art-artists by Taro Yakumo. Check out Taro Yakumo's profile, artwork prices, exhibition information, and buy art online.

Series

“Floppy”

This series is a nostalgic homage to subculture, using vintage floppy disks as canvases for acrylic paintings.

Series

“#hashtag”

A deconstruction and reconstruction of the digital vernacular, this series employs hashtags and icons as visual building blocks. Layered with raw, gestural applications of acrylics and crayons, the works evoke the frenetic pace of contemporary life.

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#hashtag

Sold Out Year.2021 w45.50 x h53.00 x d1.50 cm

3

#hashtag

Sold Out Year.2021 w91.00 x h116.70 x d2.00 cm

Series

“icons”

Wandering through the Chelsea galleries, I was often met with a dissonance between the label "contemporary art" and the works themselves. Yet, as I navigated the urban landscape, the chaotic tapestry of signs and neon lights struck me as a far more a

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AMERICA-Black

Sold Out Year.2021 w72.70 x h53.00 x d1.50 cm

2

MCD-White

Sold Out Year.2021 w53.00 x h72.70 x d1.50 cm

“Taro Yakumo's Artworks”

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SYNCHRONICITY

USD 789.79 Year.2022 w53.00 x h53.00 x d2.00 cm

8

#hashtag

Sold Out Year.2022 w89.40 x h130.30 x d3.00 cm

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WHO ARE YOU

Sold Out Year.2018 w53.00 x h53.00 x d2.00 cm

Medium

Price Range

USD $461 ~ $2,501

Biography

Taro Yakumo was born into a family where art was a constant presence—with an art dealer father and a jewelry-making mother—he was surrounded by paintings from a young age. His father's business meant their home was filled with artwork, and he began taking oil painting classes as a child, creating si...
Taro Yakumo was born into a family where art was a constant presence—with an art dealer father and a jewelry-making mother—he was surrounded by paintings from a young age. His father's business meant their home was filled with artwork, and he began taking oil painting classes as a child, creating simple still-life pieces. Even back then, every wall in their house was covered in his doodles.

As an only child with few neighborhood friends, he spent most of his childhood at home. While his peers were engrossed in popular comics, he was more drawn to art books and railway photography. From a young age, he assisted his father in setting up exhibitions, where he was exposed to traditional Japanese paintings. However, he found these works dull and uninteresting, perhaps influenced by the art books of artists like Taro Okamoto and Picasso that he had been reading. This early experience with art would significantly shape his future.

In elementary school, he discovered the power of music when he borrowed a Beatles album from a neighbor. The music moved him deeply, and he began playing instruments, dreaming of becoming a musician. While his interest in art waned during this period, album covers were the one art form that still resonated with him.

As a teenager, he became deeply immersed in Western music and formed a band. He dreamt of achieving international success and developed a keen interest in foreign cultures and societies. This led him to drop out of high school. For the next two decades, he dedicated himself entirely to music, but despite his efforts, he struggled to gain recognition. As he got older, the music industry changed, and he began to feel disillusioned.

Then, in the early 2000s, his father called to tell him about the record-breaking sale of a Murakami Takashi artwork at Christie's. Although he had heard of Murakami, he didn't fully understand the significance of this event. Soon after, he found himself drawn into the rapidly changing Japanese art scene, which was shifting from traditional Japanese painting to contemporary art. His father, who had been traveling extensively to art fairs and auctions, encouraged him to experience the international art market firsthand.

The art he saw in these overseas auctions was a far cry from the traditional Japanese art he had been exposed to as a child. It was vibrant, large-scale, and clearly catered to a more affluent audience. This completely changed his perception of art, and at a time when he was feeling frustrated with his lack of success as a musician, it resonated deeply with him.

Intrigued by the thriving contemporary art scene in Asia, particularly in South Korea, he decided to study there in 2009. While attending a language school, he spent his time visiting galleries, art fairs, and auctions. When it came time to extend his stay, he found it difficult to enroll in a Korean art school as a foreigner. Instead, he enrolled in a general university to study political science. However, he continued to visit art spaces regularly.

He was impressed by the scale and energy of contemporary Korean art. Through his interactions with art professionals, he gained a deeper understanding of the art market and began to find the business side of art appealing.

After returning to Japan in 2015, he opened a small art space in Tokyo. He organized exhibitions, participated in art fairs, and worked as a curator. However, the contemporary art market in Japan was still relatively stagnant, and he faced numerous challenges, including financial difficulties and issues with counterfeit artworks. Eventually, he was forced to close the gallery.

Despite considering leaving the art world altogether, he realized that art had been a central part of his life since birth. He decided to embrace his destiny and return to his creative roots. At the age of 40, he began painting seriously.

Just as a musician's style evolves with time, so too does his art. His work is a reflection of his experiences and emotions, and it is constantly changing. Yet, there is a fundamental aspect of his art that remains constant—his own instincts.

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Awards

2021 100人10 -2021-「between the arts AWARD」

Group Exhibitions

2024 Art Fair Tokyo
2024 " Plastic Love " LUV Contemporary Art Gallery, Seoul-Korea
2024 One Art Taipei 2024
2023 Art Fair Asia Fukuoka 2023
2023 One Art Taipei 2023
2023 SIGNS OF A NEW CULTURE vol.16
2023 SIGNS OF A NEW CULTURE vol.13
2023 Now selection Break Zenya
2021 " 100人10 " Shinwa Auction, Tokyo
2018 KIAF Art Seoul “ Korea International Art Fair 2018 ”
2018 " PARTY PARTY " WhiteStoneGallery, Tokyo
2016 Affordable Art Fair Singapore
2016 Asia Contemporary Art Show Hong Kong
2016 Daegu Art Fair , Korea
2016 Aqua Art Miami Art Fair, USA

Solo Exhibitions

2024 "in progress" Fukuoka Asian Art Museum
2024 " 本能 ~Instinct~ " Museum of Modern Art Saitama
2023 " Floppy " between the arts gallery, Tokyo
2022 " ZEN〜Beyond the Pop〜 " between the arts gallery, Tokyo
2021 " ZERO FUTURE " ART GALLERY UMEDA, Osaka
2019 " The World of Taro Yakumo " Karuizawa New Art Museum, Nagano
2018 " KARUIZAWA COLORS " Karuizawa New Art Museum, Nagano

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