GIUSEPPE FRANCAVILLA

The interest in street photography is strictly connected to architecture.
Speaking about architecture is thinking about it not only as a form but also as an evolution of the format in the civil habitat, such as palaces, buildings and monuments shape and give shape to a city and constitute its face...

The interest in street photography is strictly connected to architecture.
Speaking about architecture is thinking about it not only as a form but also as an evolution of the format in the civil habitat, such as palaces, buildings and monuments shape and give shape to a city and constitute its face and documentary storytelling. Photography must not only archive visions of the present but also be the object of evaluation and criticism of the territory for the future.
As an artist he tries to make the documentary discourse something universal starting from the particular: personal experiences such as recounting the illness of a family member in a way that is accompanied by moments of poetry and that speak not only to those close to him but that suggest a universal vision.
Precisely for this reason he has lately also concentrated on the work of photographic collages, thus interrupting the rigid rational thread that binds the photos and allowing the introduction of signs, symbols and other illustrations as a support to photography, not to explain it but to detach it from the weight of reality.