Biography
Tatiana Voskresenskaya was born in Ryazan in 1994. Since childhood, creativity has been an integral part of her life. She wrote stories and poems, painted, and danced. A reckless love for art and the understanding that she wants to connect her life with it, appeared when she first saw the paintings...
Tatiana Voskresenskaya was born in Ryazan in 1994. Since childhood, creativity has been an integral part of her life. She wrote stories and poems, painted, and danced. A reckless love for art and the understanding that she wants to connect her life with it, appeared when she first saw the paintings of Sandro Botticelli in an album on art history. She was captured by the Renaissance and Baroque eras, which she wanted to embody in her work.While still in high school, she began to prepare for admission to art school, sketching her favorite paintings in pencil right in the classroom. She painted every day. Even on the night before the graduation work, instead of intensive training, she painted "Madonna" by Filippo Lippi. She was worried not about how to finish school, but about how she could quickly develop a confident technique for admission to school.In 2011, she entered the Wagner Art School, with a burning heart and eyes dreaming to start learning painting as soon as possible. But soon she had to be deeply disappointed - the school did not teach the technique in which she wanted to work. Instead of the sophisticated aesthetics of the old masters, she faced the rough realism of the Soviet school, and this encounter was so painful for her that she decided to drop out of school in her last year, considering further education a waste of time.After leaving school in 2014, she did not take up brushes for a whole year, only occasionally sketching and drawing custom-made portraits in pencil.
In 2015-2017, she began a rather difficult life period, in which creativity became the only outlet. She began to participate in local exhibitions at art venues: at a tattoo convention, at an exhibition of informal artists in the Demonia salon, in parallel, she again took up brushes, inspired by the artists' environment, and decided to independently learn the technique of the old masters. For the next several years, she intensively copied the paintings of the old masters, studying their techniques. The greatest influence on her was made by Caravaggio - both as a person and as an artist. She made many life-size copies of his early work.In 2018, she tried herself as a teacher, taking a young apprentice apprentice for training. It was a very positive experience, for a few sessions a school-age student got the basics of old masters' techniques and wrote several still lifes of the first year of art school level. In the same year, Tatyana took part in the Ryazan art auction "Art-bloat", where she sold several of her paintings.In 2019, there was a repeated auction "Art-bloat", where her work was also sold. In the same year, Tatyana moved away from copying, because she had a lot of her own ideas that she wanted to bring to life on canvas. In 2020, during a pandemic, she fully took up painting.In 2020, during a pandemic, she fully took up painting.
In 2021, she participated in the Regional Exhibition of Young Artists from the Members of the Union of Artists of Russia in Ryazan and in the International Competition-Exhibition of Contemporary Art ART TALENT, where she was awarded a diploma.At the present time, Tatyana works in two styles: the main direction is still lifes in the technique of the old masters, the secondary one is abstract expressionism, she also occasionally paints portraits and sketches from nature.
Since 2021, Tatiana is a Member of the Professional Union of Artists of Russia.
Awards
2021
Diploma of the participant of the international competition-exhibition of contemporary art ART TALENT OF RUSSIA.
Group Exhibitions
2021
PASSION TO PERFORM
2021
ART TALENT OF RUSSIA
2021
Regional exhibition of young artists
2019
Art-auction "Art-bloat"
2018
Festival of contemporary arts, exhibition-auction "Art-bloat"
2021
1st International Environmental Biennale "Compatibility Issues"