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Miho Kitamoto creates the theme of the relationship between "humans" and "being beyond human knowledge". The work is mainly expressed in painting and three-dimensional using basic materials such as acrylic paint, canvas and watercolor paper, but sometimes it is finished as an installation that makes use of the inherent power of the land and building of the venue to be exhibited. In order to make viewers feel "existence beyond human knowledge", sometimes "shapes" and "colors" are omitted and motifs without shapes such as clouds and water surfaces are used. She reconstruct what she felt as a work and create it with the hope that viewers will also connected.
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