KAWAWO Wataru

I draw the body as a motif. The red line is something around the body.
I would like to make use of the texture of Japanese paper as a support, use Japanese painting materials with glue, and complete the work without losing the originality of the work.
With simple elements (lines, planes, margins),...

I draw the body as a motif. The red line is something around the body.
I would like to make use of the texture of Japanese paper as a support, use Japanese painting materials with glue, and complete the work without losing the originality of the work.
With simple elements (lines, planes, margins), we want to create a complex bodily sensation for the viewer.
The combination of the simple elements creates strange depths and contexts, and a body with only contours appears vividly.
I witness the freshness that comes out every time I draw and carefully create the process.
The heavy use of the red line is because it is effective in eliciting bodily sensations.
I want the viewer to feel free to experience such things as tying, connecting, and unraveling the body.