Shoichiro　Higuchi

Concept of life as a plastic artist (self-proclaimed): The theme of my expression has been aimed at the liberation of human beings. The condition is that all people, including myself, are free to think and live. Of course, this is an expression that lives in the artificial space of the city. I have...

Concept of life as a plastic artist (self-proclaimed): The theme of my expression has been aimed at the liberation of human beings. The condition is that all people, including myself, are free to think and live. Of course, this is an expression that lives in the artificial space of the city. I have often visited urban formations, architecture, plazas, parks, public art, museums, and fine arts in my travels to the U.S., Europe, and other places starting in the 1970s, and have reported many examples that are useful for bottom-up efforts in Japan in books, newspapers (mainly Sankei Shimbun), magazines (Shoten Kenchiku, Nikkei Architecture, Art, Anthropos, etc.). He has reported numerous case studies of art and art in Japan in books, newspapers (mainly Sankei Shimbun), and magazines (Shoten Kenchiku, Nikkei Architecture, Art, Anthropos). He believes that nature is not to be imitated when it comes to the works of art he creates, and that it is the domain of the gods. The purpose is to create "works of art" using human imagination, creativity, and accumulated skills.