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Andrea Benetti

Andrea Benetti

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Andrea Benetti

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MANIFESTO DELL'ARTE NEORUPESTRE
Manifesto of Neo Cave Art
by Andrea Benetti

Since the dawn of humanity, well before the invention of written language, Man felt the need to communicate, to leave some trace of his passage through this world. This he accomplished through painting.
Early Man had t...
MANIFESTO DELL'ARTE NEORUPESTRE
Manifesto of Neo Cave Art
by Andrea Benetti

Since the dawn of humanity, well before the invention of written language, Man felt the need to communicate, to leave some trace of his passage through this world. This he accomplished through painting.
Early Man had to deal with the sun, the earth, the waters and the sky every day… had to find a way to find his place in the balance of Nature. And even when Nature was unthreatening, he was in awe of Her, treating Her with the respect due a Deity, in full awareness of his own human limitations. Contemporary Man has denied those limits and trampled that respect, placing himself at the center of the universe and giving his own selfish needs absolute priority. In doing so, he has stupidly destroyed the enchantment and desecrated the sanctity of Life and Nature.
So let’s take a step backward.
Let’s start over, with the proper respect for Nature and for human life as our point of departure. Art needs to begin afresh from its earliest form: cave painting.
We need to go back to the dawn of Man and his primeval art to reconstruct the world: a new world in which respect for Nature and human dignity are finally at the heart of the will of Man. Only in this way will we reaffirm the sacredness of Life which we have sacrificed in favor of an empty, short-sighted lifestyle, one which has been leading us to our own destruction. We need to re-create the necessary conditions to be able to envelop the world in love and peace.
Let’s begin with cave paintings, with which primitive man, being far wiser than we are, decorated his rocky walls to gain favor with the supernatural forces.
This is what Art can do.
We must rediscover within ourselves that primordial, uncontaminated essence, free of the preconceptions which condition modern Man: conditions imposed by a global consumption-driven society that is spurring us on to become unstoppable producers and insatiable consumers of an endless stream of goods.
We need to rebalance the relationship between Man and Environment, between production and consumption.
We need to seek the purity of our inner child who has yet to discover the world but instead still interprets it through his imagination, observing it with wonder and curiosity.
We need to live as if the present moment were eternal, regarding the past with a critical, but constructively critical eye. We must cease seeing our lives as merely utilitarian, where every action can be likened to a chess move, aimed at conquering the board.
We must learn to live by listening to our own essence: that childlike essence that loves contact with nature, eats healthy food, lives in tune with traditions, the deep-rooted and widely-shared values that have long buoyed humanity. We seek refuge from the advancing cement blocks, from the plastics that have come to envelop everything, from the frantic pace that subconsciously permeates our every deed, pushing us into a headlong rush even when there is effectively no need to hurry.
Let’s take back the course of history and not passively accept the changes forced on us by the powers that be, which, through campaigns of persuasion tactics, have tried to take away our individual personhood and reduce us to mere numbers, weighed down with heavy minds.
A person cannot be reduced to a number, not even in the face of the unprecedented rise in global population.
We need to remember that the human being is, first and foremost, an ethereal essence, beyond his material body, which all too often is obsessed with the pursuit of ephemeral pleasures. This concept seems to have escaped our conscious mind and its flight has had dire consequences. To deny or fail to cultivate the immaterial sphere of our humanity is to deny that which makes us human.
This concept is not rooted in any religion, but is the fruit of a “dualistic” view of the individual which recognizes that human beings develop and grow on both levels. Not allowing the material side of life to outweigh the ethereal is a sign of wisdom and awareness that elevates us above other living creatures. Without this element of mystery, of immaterialism, man has no future and is destined to become extinct. But before extinction, he will have reached the lowest point of his existence, where life itself ceases to be of value, having been sacrificed on the altar of rampant hedonism devoid of any solid content. By the same token, as far as art goes, symbols, lines and colors need to once again be the main features of a painting, recounting in their simplicity and beauty the life they represent. We need to allow the sense of primordial instincts that resides within each of us to be our guide, our key to interpreting the world around us. Even our assimilation and use of the most advanced technologies has to be filtered by this sensitivity.
This sense of mystery, of the unknown, must reign unencumbered in art. There must be an element of doubt because in a “society of certainties,” there is no room for imagination and anything that recalls imagination seems fake, designed in some office to produce a particular effect. We draw distinct boundaries between that which is truly felt, which comes from that “mysterious” part of ourselves, and that which is false and exploitive.
A broken-down washing machine or a rusted bicycle are not art; they are simply a broken-down washing machine or a rusted bicycle.
Art is another thing altogether.
In the ancient caverns, where prehistoric “cave-artists” traced their lines and spread their colors, every art form was invented: figurative, abstract, symbolic, conceptual… The future of painting was already mapped out; nothing was missing.

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Find 12 original artworks & painters by Andrea Benetti. Check out Andrea Benetti's profile, artwork prices, exhibition information, and buy art online.

“Andrea Benetti's Artworks”

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Sinapsi

USD 3,224.00 Year.2020 w70.00 x h70.00 x d2.00 cm

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Sentiero Sacro

USD 3,432.00 Year.2013 w90.00 x h60.00 x d2.00 cm

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Il mio Universo

USD 3,016.00 Year.2009 w80.00 x h50.00 x d2.00 cm

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Fuochi d'artificio

USD 3,016.00 Year.2022 w70.00 x h60.00 x d2.00 cm

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L'angelo

USD 3,848.00 Year.2022 w100.00 x h60.00 x d2.00 cm

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Grecale

USD 3,224.00 Year.2021 w70.00 x h70.00 x d2.00 cm

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Medioevo

USD 3,224.00 Year.2021 w70.00 x h70.00 x d2.00 cm

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Mareggiata

USD 4,472.00 Year.2020 w120.00 x h80.00 x d2.00 cm

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Lune in cielo

USD 3,224.00 Year.2015 w80.00 x h60.00 x d3.50 cm

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Bachelor party

USD 3,224.00 Year.2020 w80.00 x h60.00 x d3.50 cm

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Laguna di Venezia

USD 3,640.00 Year.2021 w100.00 x h60.00 x d2.00 cm

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Viaggio nella storia

USD 2,912.00 Year.2020 w60.00 x h60.00 x d2.00 cm

Medium

Price Range

USD $2,912 ~ $4,472

Biography

Born in 1964, Andrea Benetti created and drew up the "Manifesto of Neo-Cave Art" presented at the 53rd Venice Biennale, in the pavilion called "Nature and Dreams", located at the Ca 'Foscari University. Conceptually, the Manifesto is inspired by the genesis of art. In his works, Andrea Benetti cites...
Born in 1964, Andrea Benetti created and drew up the "Manifesto of Neo-Cave Art" presented at the 53rd Venice Biennale, in the pavilion called "Nature and Dreams", located at the Ca 'Foscari University. Conceptually, the Manifesto is inspired by the genesis of art. In his works, Andrea Benetti cites, transfigures, plays, reinvents concepts and forms of Cave painting, creating an ideal bridge between the genesis of art and its contemporaneity. He has collaborated and still collaborates to the realization of projects with various Italian and foreign universities, including the Johns Hopkins University, the University of Bologna, Ferrara, Roma Tre, Lecce, Bergamo, Bari. These universities have carried out research on his art. Benetti's works are present in collections all over the world. In addition to the museums of contemporary art in Italy and abroad and prestigious private collections, including the United Nations, his works are present in the Quirinale (seat of the President of the Italian Republic), in the Italian Parliament, in the Vatican, in various Embassies. For this reason, he was received at the Quirinale (seat of the President of the Italian Republic), in the Chamber of Deputies (the Italian Parliament) and in the Vatican, where he met Pope Benedict XVI and Pope Francis. There are dozens of university professors and important art critics who have written about Benetti's art and have participated in the projects that the Italian painter has created. For several years the encyclopedic entry "Andrea Benetti" has been present in Treccani (the most important Italian encyclopedia) and is translated into thirty languages on Wikipedia. In 2020, Benetti was awarded the 49th “Nettuno d'Oro” award, the longest-running and most prestigious annual artistic award in the city of Bologna.

MUSEUMS AND COLLECTIONS
United Nations Art Collection ∙ New York, U.S.A.
Vatican Art Collection ∙ Vatican, Italy
Virginia Commonwealth University ∙ Richmond, U.S.A.
MACIA ∙ Italian Contemporary Art Museum in America ∙ San Jose, Costa Rica
Argentine Ministry of Justice and Human Rights ∙ Buenos Aires, Argentina
Rinaldi-Paladino Art Museum Foundation ∙ Lugano, Switzerland
Copelouzos Family Art Museum Collection ∙ Athens, Greece
Italian Embassy in China ∙ Beijing, China
Italian Embassy in New Zealand ∙ Wellington, New Zealand

Quirinale Art Collection ∙ Italian Presidency of the Republic ∙ Roma, Italy
Montecitorio Palace ∙ Italian Parliament ∙ Chamber Of Deputies ∙ Roma, Italy
Mambo ∙ Museum of Modern Art Bologna ∙ Bologna, Italy
Museion ∙ Museum of Modern and Contemporary Art Bolzano ∙ Bolzano, Italy
CAMeC ∙ Center of Modern and Contemporary Art ∙ La Spezia, Italy
Osvaldo Licini Contemporary Art Museum ∙ Ascoli Piceno, Italy
University of Ferrara Art Collection ∙ Ferrara, Italy
University of Bari Art Collection ∙ Bari, Italy
MuMi ∙ Michetti Museum ∙ Francavilla al Mare, Italy
U.N.E.S.C.O. Art Collection ∙ Bologna, Italy
Municipality of Lecce Art Collection ∙ Lecce, Italy
Giacomo Casanova Foundation ∙ Venice, Italy
Amedeo Modigliani Museum ∙ Follonica, Italy
ARTinGENIO Museum ∙ Pisa, Italia
Silvestro Lega Museum ∙ Modigliana, Italy
Speleological Museum "Franco Anelli" ∙ Grotte di Castellana, Italy
Contemporary Art Museum ∙ Logudoro Meilogu Foundation ∙ Banari, Italy
Facchini Collection ∙ La Fenice et des Artistes ∙ Venice, Italy

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