Carolina Andrada

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Concept

For Carolina Andrada, canvases and screens are the walls that make up her own dreams. But they are not limiting walls, rather they are open to the imagination, to the landscape of dreams, to memory and to emotions. These supports acquire for her another physical and dreamlike dimension, as a child they allowed her to "go in and out" of it, and of the painting itself, and now also. As an adult, canvases, screens and forests continue to accompany Carolina in the same sense as when she was a child, only with new elements incorporated, they are part of she. Her relationship with the forests has always been very close, but tales and legends have also had a profound influence on her way of perceiving the dream landscape. Added to this she want to carry out an essay on the Philosophy of Landscape present in the History of Art since the seventeenth century, as the last genre and the most modern in painting. In this way Carolina have the possibility of "expanding" this idea of landscape, from deeper parameters that are beyond the limited territory of history that we know. In addition to the inspiration in these parameters, the plastic strength that is already given by Canvas and Screen supports that she use helps her, and the references landscape work of historical and current artists, like Guardi, Poussin, Watteau, Markus Lüpertz, etc. The latter has historically been used in a decorative and functional way, and her approach to painting is not linked to this flat idea of decorating or fitting the piece somewhere, but she use a support that helps her to structure the painting, which is integrates with the plastic, and instead of showing himself as another object, still and flat, he plays himself, with his split structure, and molds the painting creating infinite points of view. It is one more vehicle in her search for artistic expression and manifestation, deconstructing the landscape as a motif. It is an express realism of the imaginary, a realism founded on the imaginary constitution, on the creative force of the gaze.

Concept

For Carolina Andrada, canvases and screens are the walls that make up her own dreams. But they are not limiting walls, rather they are open to the imagination, to the landscape of dreams, to memory and to emotions. These supports acquire for her another physical and dreamlike dimension, as a child they allowed her to "go in and out" of it, and of the painting itself, and now also. As an adult, canvases, screens and forests continue to accompany Carolina in the same sense as when she was a child, only with new elements incorporated, they are part of she.

Her relationship with the forests has always been very close, but tales and legends have also had a profound influence on her way of perceiving the dream landscape.
Added to this she want to carry out an essay on the Philosophy of Landscape present in the History of Art since the seventeenth century, as the last genre and the most modern in painting. In this way Carolina have the possibility of "expanding" this idea of landscape, from deeper parameters that are beyond the limited territory of history that we know.
In addition to the inspiration in these parameters, the plastic strength that is already given by Canvas and Screen supports that she use helps her, and the references landscape work of historical and current artists, like Guardi, Poussin, Watteau, Markus Lüpertz, etc.

The latter has historically been used in a decorative and functional way, and her approach to painting is not linked to this flat idea of decorating or fitting the piece somewhere, but she use a support that helps her to structure the painting, which is integrates with the plastic, and instead of showing himself as another object, still and flat, he plays himself, with his split structure, and molds the painting creating infinite points of view.

It is one more vehicle in her search for artistic expression and manifestation, deconstructing the landscape as a motif. It is an express realism of the imaginary, a realism founded on the imaginary constitution, on the creative force of the gaze.

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Find 1 original artworks & painters by Carolina Andrada. Check out Carolina Andrada's profile, artwork prices, exhibition information, and buy art online.

“Carolina Andrada's Artworks”

Landscape in Green

USD 300.00 Year.2021 w32.00 x h18.00 x d0.20 cm

Medium

#Painting

Price Range

USD $300 ~ $300

Biography

Carolina Andrada (1982, Spain) is a Phd of Fine Arts, Painter and Soprano. He has been trained in several Spanish and foreign universities. She has exhibited on numerous occasions and has been awarded prizes and important scholarships for her training. He attended painting classes with the renowned artist Sean Scully at the Faculty of Munich, Germany, and did his Doctoral Thesis on the also renowned German artist Markus Lüpertz. He has recently received the official honorary appointment of Distinguished Lady Ilicitana from Elche, his hometown.

Her first professional experience began at the age of 21, recently graduated, with the screens commissioned by Juan Antonio Martínez-Tessier, antiquarian, collector and expert in antique tapestries. She made for him a series of architectural landscapes and landscapes of country scenes. During his doctoral studies at the Complutense University of Madrid he studied New German Expressionism in depth. Her references in landscape painting are many and varied, but among the most prominent are Nicolas Poussin, Jacob van Ruisdael, Antoine Watteau, J. B. C. Corot, Luis Eilshemius, Markus Lüpertz and Alex Katz.

Featured exhibitions:
- Musical Moments, Espacio Ronda Madrid, Spain 2020.
- Landscapes, Estudio Darío Villalba - Carolina Andrada, Madrid, Spain 2019.
- Victorio´s Rios Art, group exhibition, Fort Lauderdale, Florida, USA, 2018.
- A dreamlike look at the landscape ’, Ateneo de Madrid, Spain 2018.
- Mystery Landscapes, La Lonja Medieval, Elche City Council, Alicante, Spain 2017.
- Landscapes Fortaleza, Exhibition Hall-Picasso Museum of Buitrago del Lozoya, Madrid, Spain 2016.
- Harlequins, Tribute to Picasso Vallauris-Buitrago VI, Municipal Exhibition Hall of Buitrago del Lozoya, Spain 2016.
- Still Life, group exhibition, Marlborough Gallery, Madrid, Spain 2016.
- Still life alive, Archaeological and History Museum of Elche (MAHE), Alicante, Spain 2014.
- Collective exhibition at the René Brusau Museum of Fine Arts, Resistencia, (Chaco), Argentina, 2013.
- Biennial of Art and Painting (BAP) Resistencia, Chaco, Argentina, 2013.
- Carolina Andrada at Galería Sorolla, Elche, Alicante, Spain 2011.
- See in the trees, Fundación BilbaoArte Fundazioa, Bilbao, Spain 2011.
- Open Doors Day, Fundación BilbaoArte, Bilbao, Spain 2010.
- X Painting Prize General Board of the Principality of Asturias, Oviedo, Spain 2010.
- Gas Natural Unión Fenosa International Show. Union Fenosa Museum of Contemporary Art (MACUF). A Coruña, Spain 2010.
- Furniture Fair. IFEMA fairground, Madrid, Spain 2005-2006.
- Rojo Azul Amarillo, collective exhibition, exhibition hall of the Rectorate of the Polytechnic University of Valencia, Spain 2004.
- Collective exhibition at the Academie Royale des Beaux Arts de Liège. Belgium, 2004.

Work in Museums and Institutions:
- Picasso Museum Collection of Buitrago del Lozoya, Madrid.
- MACUF Museum of Contemporary Art Gas Natural Unión Fenosa A Coruña.
- BilbaoArte Foundation, Bilbao.

Scholarships and Awards:
- Scholarship for Doctors of the XXV Meeting of the Alexander Von Humboldt Association of Spain, in Bergara and San Sebastián, 2016.
- Participation grant in BAP the II Biennial of Art and Painting held in Resistencia (Chaco) Argentina, 2013.
- Artistic scholarship (painting) from the BilbaoArte Foundation. Bilbao, 2010-2011.
- First National Prize for Painting, Painter Sánchez y Juan, from the Patronato Histórico Artístico Cultural d´Elig, (PHACE), 2011.
- Third prize for the 11th International Gas Natural Show Unión Fenosa, A Coruña, 2010.

Other Academic Merits:
- DOCTORAL THESIS "Landscape, Nature and Construction in the work of Markus Lüpertz", defended at the Altea Campus, Miguel Hernández University on July 27, 2015, Outstanding.
- DEA (advanced studies diploma) "Landscape in the work of Markus Lüpertz" 2010, Miguel Hernández University, Outstanding.
- OFFICIAL MASTER'S DEGREE IN TERRITORY AND LANDSCAPE 2010-2012, Miguel Hernández University.

Publications and Catalogs:
- The River, a song like Support, International Congress Support Surface. Support as a field of research. Oral presentation. ISBN: 97884930140-1-8. Altea 2009.
- From Gustav Carus to Piet Modrian, IV International Congress Support Surface (Landscape in contemporary artistic praxis), ISBN 978-84-930140-3-2, Altea 2011.
- Structure of abstraction and figuration in the painting of Markus Lüpertz, Bulletin 11, Bilbao Fine Arts Museum, 2012. ISSN: 1886-001X.
-Catalog Collective exhibition Still Life Gallery Marlborough Madrid 2016.
-Catalog "See in the trees", Carolina Andrada, 2011, ISBN 978-84-694-2159-8.
-Catalog Mostra 11 Internacional Gas Natural Fenosa. Third prize for painting. Contemporary Art Museum. ISBN: 978-84-614-3699-6. A Coruña 2010.

Press Radio and Television:
Carolina has interviews in the local, national and international press, radio and television media. Some of these interviews can be seen and heard on her youtube channel Carolina Andrada.

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Awards

2016 Grant for Doctors of the XXV Meeting of the Alexander Von Humboldt Association of Spain, in Bergara and San Sebastián

2013 Grant in BAP the II Biennial of Art and Painting held in Resistencia (Chaco) Argentina

2010 Artistic Painting Grant from the BilbaoArte Foundation. Bilbao

2011 First National Painting Prize, Painter Sánchez y Juan, from the Cultural Artistic Historical Patronage d'Elig, (PHACE) Spain

2010 Third prize for the 11th International Gas Natural Show Unión Fenosa, A Coruña, Spain

Group Exhibitions

2018 Victorio´s Rios Art, group exhibition, Fort Lauderdale, Florida, USA

2016 Harlequines, Tribute to Picasso Vallauris-Buitrago VI, Municipal Exhibition Hall of Buitrago del Lozoya, Spain

2016 Still Life, group exhibition, Marlborough Gallery, Madrid, Spain

2013 Collective exhibition at the René Brusau Museum of Fine Arts, Resistencia, (Chaco), Argentina

2013 Biennial of Art and Painting (BAP) Resistencia, Chaco, Argentina.

2010 ‘Open doors day’, BilbaoArte Foundation, Bilbao.

2010 X Painting Prize General Board of the Principality of Asturias, Oviedo.

2010 Gas Natural Unión Fenosa International Show. Union Fenosa Museum of Contemporary Art (MACUF). A Coruña, Spain

2005 Furniture Fair. IFEMA fairground, Madrid.

2004 Rojo Azul Amarillo, collective exhibition, exhibition hall of the Rector's Office of the Polytechnic University of Valencia, Spain

2004 Collective exhibition at the Academie Royale des Beaux Arts de Liège. Belgium,

Solo Exhibitions

2011 'See in the trees', Fundación BilbaoArte Fundazioa, Bilbao, Spain

2011 Carolina Andrada at Galería Sorolla, Elche, Alicante, Spain

2014 Live Still Life, Archaeological and History Museum of Elche (MAHE), Alicante, Spain

2016 Landscapes Fortaleza, Exhibition Hall-Picasso Museum of Buitrago del Lozoya, Madrid, Spain

2017 Mystery Landscapes, La Lonja Medieval, Elche City Council, Alicante, Spain

2018 A dreamlike look at the landscape ’, Ateneo de Madrid, Spain

2019 Landscapes, Estudio Darío Villalba - Carolina Andrada, Madrid, Spain

2020 Musical Moments, Espacio Ronda Madrid, Spain,

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