Sana Rasulic

Animals, plants, birds... as well as other elements of nature, dominate this artistic proposal under the use of personification as a stylistic figure. Within this imaginary landscape, the presence of the iconic rubber duck stands out. As a symbol of childhood that does not let us grow or mature. Thi...

Animals, plants, birds... as well as other elements of nature, dominate this artistic proposal under the use of personification as a stylistic figure. Within this imaginary landscape, the presence of the iconic rubber duck stands out. As a symbol of childhood that does not let us grow or mature. This rubber duck wants to fly. To change its texture or shape, transform, have feathers, come out of puberty…
This 2,5 year phase is a fairly experimental period with very heterogeneous materials that show a mixture of search and learning. This stage begins during the confinement in Malaga and is marked by a process of pause and reflection around my processes, great introspection and personal rebirth, which led me to a progressive "re-in love" with art. I do work among several other solutions with feelings and the release of emotions and imagination. It is about expressing and pointing out all the impressions, experiences and reflections about what surrounds me and with which I interact. All the works are made on paper. As well as I did use different techniques, exploring the behaviour of materials on paper.
All of my works are natural artistic development driven by curiosity. I am learning to try to catch and observe the unconscious.
The paintings or drawings I make are the music I listen to, they are the languages ​​I speak, the people I meet, they are my family. They are consequences of thoughts, questions and answers and internal dialogues. I like to name my drawings by playing with the words, sayings and expressions that I hear where I live. I look for art in everything I see, hear and feel.