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The cycle "Domseelen" (engl. cathedral souls) consist of 24 mystical-surreal illustrated motifs as giclee prints (highest quality pigment prints) on 300g/m2 fine art baryta paper in original format fitted on 4mm AluDibond-plates, small edition of 20, numbered and signed on the backside by the artist, no frame. Different formats of the 24 from 100cm to 160cm picture height. The giclée are taken from oil paintings (2016-2018) on wood and canvas in the same format respectively. The paintings are characterized by their unique flowing painting style and a mystical nature, open for its interpretation. Since 2019 and ongoing the cycle is shown in temporary exhibitions in Germany and Netherlands. Mystical background to the work: Metamorphosis, visible and yet mysterious transformation of things and beings, exists in geology, botany, zoology, music and mythology etc. In visual arts it is found explicitly, if one disregards concrete pictorial stories, in the surreal. From models - surfaces (frottages, photographs), dreams, visions, etc. - details or figures are taken and brought into a new modified form. A new context of meaning can emerge. The model, e.g., a piece of the marble cladding in the Aachen Cathedral, has itself already moved far away from its origin in millions of years through manifold natural or cosmological metamorphosis. Through human hands - uncovering, cutting, polishing and changing its location - it has changed its shape further. Through the church as a sacred place, the object loses it‘s anonymity, it becomes aware of itself, and so it reveals itself as a vision. It becomes spiritual reality and thus points to its immaterial origin - the meaning, its creator.
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