Miho Yoshida

I have an interest in the relationship between ourselves and scenery.

A familiar view is a segment that offers continuity to our bodies and souls, and provides the foundation for our daily lives.

However, when our connections to our surrounding scenery is shaken by disaster, or a move to a new...

I have an interest in the relationship between ourselves and scenery.

A familiar view is a segment that offers continuity to our bodies and souls, and provides the foundation for our daily lives.

However, when our connections to our surrounding scenery is shaken by disaster, or a move to a new location, the hold on our own reality is rendered uncertain.

The things that encircle we living things are, in turn, life itself.

I reflect the places I physically walk through every day as oil paintings spread across the flat surfaces of canvases, searching among the points of contact between our mutual consciousnesses and the way we ought to be, for a third field of vision.

As long as there is a horizon and depth in a field of vision, our imaginations will discover a new profoundness therein.