CURATOR’s EYE
The Distance Between the Work and the Artist's Heart: On the Appeal of Drawings
Follow TRiCERA on Instagram and check out our creative artists
5%OFF & free shipping 1st purchase
FIRSTART5
10%OFF 2nd purchase after 1st purchase!
Welcome to TRiCERA
Hi there! We are pleased to have you here 🎉
Could you please describe yourself?
Guest
The view of landscape painting is generally settled as "a painting that captures a landscape," regardless of the differences in each artist's position.
The works of Asahi Sakurai, Ayaka Tadano, and Neal introduced in this article are distanced from the real landscape in a physical sense, but the images that unfold on the screen are accompanied by their emotions, and have acquired a completely new form.
The artist delicately reads the emotions, memories, signs and traces of things that live in the landscape, and mixes them with the movements of their minds and internal realities to create a new landscape that is not a copy of reality, but intertwined with the artist's gaze.
Asahi Sakurai (1996-, JAPAN)
Changing Time (noon)
19 x 33.3cm, Acrylic on
canvas25,000 JPY
Changing Time (night)
19 x 33.3cm, Acrylic on
canvas25,000 JPY
Coast (wide)
22 x 54.6cm, Acrylic on
canvas45,000 JPY
Neil Tomkins(Austria)
Blue
House36 x 46cm, Acrylic on
canvas165,000 JPY
Blue Light
House140 x 171cm, Acrylic on
canvas473,000 JPY
Fire Tree
Street95 x 89cm, Acrylic on
canvas308,000 JPY
Ayaka Tadano (1992-, JAPAN)
Melting
Sun63 x 55cm, mineral pigment on wood panel and Japanese
paper128,600 JPY
Still on the Way
35 x 50cm, mineral pigment on wood panel on Japanese paper
68,500 JPY
Reflection Summer
34.5 x 52cm, mineral pigment on wood panel on Japanese paper
98,500 JPY
Writer
Shinzo Okuoka
The view of landscape painting is generally settled as "a painting that captures a landscape," regardless of the differences in each artist's position.
The works of Asahi Sakurai, Ayaka Tadano, and Neal introduced in this article are distanced from the real landscape in a physical sense, but the images that unfold on the screen are accompanied by their emotions, and have acquired a completely new form.
The artist delicately reads the emotions, memories, signs and traces of things that live in the landscape, and mixes them with the movements of their minds and internal realities to create a new landscape that is not a copy of reality, but intertwined with the artist's gaze.
Asahi Sakurai (1996-, JAPAN)
Changing Time (noon)
19 x 33.3cm, Acrylic on
canvas25,000 JPY
Changing Time (night)
19 x 33.3cm, Acrylic on
canvas25,000 JPY
Coast (wide)
22 x 54.6cm, Acrylic on
canvas45,000 JPY
Neil Tomkins(Austria)
Blue
House36 x 46cm, Acrylic on
canvas165,000 JPY
Blue Light
House140 x 171cm, Acrylic on
canvas473,000 JPY
Fire Tree
Street95 x 89cm, Acrylic on
canvas308,000 JPY
Ayaka Tadano (1992-, JAPAN)
Melting
Sun63 x 55cm, mineral pigment on wood panel and Japanese
paper128,600 JPY
Still on the Way
35 x 50cm, mineral pigment on wood panel on Japanese paper
68,500 JPY
Reflection Summer
34.5 x 52cm, mineral pigment on wood panel on Japanese paper
98,500 JPY
Writer
Shinzo Okuoka