背景
Here I choose two articles, which were published on Facebook many years ago, the article is in Chinese, and now I use Google Translate to share: Thank you!
art
Art must have a realm, the realm has space, but the unbounded is the best, the bounded is limited, and only one can be happy for everyone.
Artistic environment avoids high music and widowhood, it is easy to blame oneself for Aide, those who are high don’t appreciate themselves, and the pearl can’t hide its brilliance.
Art must be interesting and meaningful, but pure fun can easily lead to inferior products. Pure meaning is afraid of no artistic taste, so the meaning must be profound and moderate.
Interest can also be interesting, but it must be elegant, simple, ancient, and clumsy, otherwise, it will not be elegant if it is funny and playful.
One must know the simple and know the rich. Although poor in change, one must keep one
For artists, we must be sensible and prudent, and the realm is clear
The pen walks and walks, turning around in the heart, even if it is a thousand mountains and rivers, it is not too much of a matter
Art seekers should not be bound by form, I don’t know what spirit is, and it’s hard to forget myself
Another cloud and flowing water seems to be the realm of forgetfulness, but it is invisible and invisible, and it is extremely empty and dead. I don’t know what it means.
The environment must be far and deep, and it must be intriguing
The environment is divided into small families and big people. The big people are strong and strong. The mountains and rivers are inclusive of hundreds of rivers.
The Truth and Falsehood of Painting
It would be absurd to say that painting is imitation, and figurative realism is painting.
When ordinary people look at a work, the highest evaluation often given is that it is so beautiful, it is exactly the same as the photo
They may not know that this kind of evaluation is actually a bit insulting in the heart of a serious artist, because the real artist's goal in artistic behavior is not to paint exactly like a photo, nor to be proud of being like a photo. What is it like? Actually, it is a kind of imitation. Of course, imitation is passive. Just like a photo, it is a completely passive imitation.
What does it mean to be like a photo? Now what the camera can do, let the camera do it. People want to do something that people do. Therefore, a figurative and realistic painting is definitely not about painting like a photo. Painting should be about discovering and creating. There is play, so the artwork is the artist infused with life, emotion, and thought. It is full of interesting and interesting results. It is completely different from mechanical imitation and copying, and it still has individual symbols such as brush and ink, color composition, etc. Therefore, real artists in painting will not use it. to imitate the object
However, there are also paintings that look like photos or even more like photos than photos. We call them photorealism and super-realism paintings, and the authenticity of the works is more real than photos, but it is the artist who uses such realism to express the unreal content There are figurative surrealist paintings and symbolist paintings in this area
Many excellent realistic paintings are real but not accurate. Reality is interesting. It is not a repetition of reality but an ideal of reality.
The replay of reality and history in painting is allowed. We call it history painting and realist painting, but it is not historical photography and reality. Representational history painting and realistic realism painting is to reproduce reality, so it must be figurative reality. However, the image form is processed, the picture has been refined by the artist, and it is also a dramatic literary and poetic arrangement according to the artist's subjective wishes. What is the point? Passively imitating like a photo?
Of course, human beings imitated before the invention of the camera. Artistic behaviors were integrated into the craftsmanship and skills of many masters. The noble and noble realms are hidden in these imitation behaviors.
In the 20th century, the emergence of abstract painting clarified what artistic creation and exploration was, and put an end to passive imitation. Abstract artists took away the concrete and visible shapes. I see what you still marvel at. Professional artistic behavior Birth Art has returned to its essence. The artist's profession is not to imitate the beauty of the landscape, nor to imitate the beauty of the skin. If you understand the beauty of an artist and an artist, you can play games to imitate the beauty of the beautiful flowers of the skin, the artistic conception of the clouds and even the sweetness of painting.
However, after the concept and image of abstraction were transformed into figuration, pseudo-abstract painting was born again.
Art Art The negation of negation in the eyes of the master .
藝理
藝術有高低好壞美丑之別 此中之標準非精於藝者所能知 其實亦無玄奧之處 而在乎於是否明理 此理是藝術之魂 亦是作品之精神所在 非呈現於作品之表 由物質感官所能查覺 如此 凡習藝者未得師親授此理 任汝如何嫻熟其技 亦只是皮毛之術 久之多誤入歧途 與大師之道遠矣 不過 亦有天資聰慧之人 自悟此理 毋須師授 故另當別論 凡理有二 上理求與德合 行正理 乃思想慮所得 為事物之定义規律 下理乃器之法 此二理乃常理 師授好學能得 另有非常之理 此理非悟不可得 其乃無心現有心之法 得之能以一當十 知一含萬 求藝者非悟入此理不可 不然終其一生為技之奴 夫上理者正理 此之正非邪之反 乃至中 中和之意 但行藝者又不可至極中 何也 極中乃易至無易之象 無和生之象藝之忌也 為貧者赤 為陋者寡 多富者暴 至靜者亡 即此意也 以致此理行之時 應以多少分寸方可為妙 意會也 下理乃極究之法 此理乃技法 技巧等術之理論 從藝者於此一切種種之理 皆應研明透彻 鉋根問底 不容些少疑問疑處 才謂之得法 此理雖謂之下 但能通透其中多少精要 熟能生巧 又能知變化 便可稱之為家 非常之理非非常 其實平常之極 此理即自在之真心 此心先天具足藝德美德 自然而然與天地萬物同生一根 為慧藝兩全之根本 此心常行無心現有為之用 圓融無礙 但因後天之性思辨熾烈 蒙垢此理 加之名聞利養薰心 執實為實 二六時中貪雕虫之技為樂 以得奇技淫巧為傲 如此 逐漸遠离根本矣 大道樂簡 大法至朴 大理平常無為 凡行此理者 當知守窮以合道 安於靜以至無盡之理 言雖如此 不窮極上下之理 此理之用 如空中樓閣 不可得也 此理空乃無為之心 有乃眾常理之和 一體兩面 即一即異 其中之妙 明者自明.
