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  • CURATOR’s EYE

A view far away, a heart near

2020/09/17
Shinzo Okuoka

The view of landscape painting is generally settled as "a painting that captures a landscape," regardless of the differences in each artist's position.

The works of Asahi Sakurai, Ayaka Tadano, and Neal introduced in this article are distanced from the real landscape in a physical sense, but the images that unfold on the screen are accompanied by their emotions, and have acquired a completely new form.

The artist delicately reads the emotions, memories, signs and traces of things that live in the landscape, and mixes them with the movements of their minds and internal realities to create a new landscape that is not a copy of reality, but intertwined with the artist's gaze.


Asahi Sakurai (1996-, JAPAN)

Changing Time (noon)
19 x 33.3cm, Acrylic on
canvas25,000 JPY

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Changing Time (night)
19 x 33.3cm, Acrylic on
canvas25,000 JPY

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Coast (wide)
22 x 54.6cm, Acrylic on
canvas45,000 JPY

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Neil Tomkins(Austria)

Blue
House36 x 46cm, Acrylic on
canvas165,000 JPY

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Blue Light
House140 x 171cm, Acrylic on
canvas473,000 JPY

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Fire Tree
Street95 x 89cm, Acrylic on
canvas308,000 JPY

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Ayaka Tadano (1992-, JAPAN)

Melting
Sun63 x 55cm, mineral pigment on wood panel and Japanese
paper128,600 JPY

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Still on the Way
35 x 50cm, mineral pigment on wood panel on Japanese paper
68,500 JPY

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Reflection Summer
34.5 x 52cm, mineral pigment on wood panel on Japanese paper
98,500 JPY

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작가

Shinzo Okuoka