Material: Painted and drawn directly on recycled bottles. Climate change, plastic pollution, and other human activities are having an increasing impact on nature, and in combination with the increase in man-made resources, the amount of usable resources is dwindling. In this context, the series "Organic Concept" is created through the process of upcycling.
Inspiration: The organic drawings are inspired by moss and lichen. Therefore, I named my work Mosschen, combining the English words moss and lichen. This work is part of a series called "Organic Concept," which was created based on the concept of "bringing the artificial close to nature. By painting Mosken on a man-made bottle in all white, I attempted to conceptually bring the artificial closer to the natural.
Technique: I believe that both artificiality and nature are fragile and ephemeral, so I tried to resemble ceramics, which I consider to have elements of both. The white is a light gray to give it depth, and a glossy varnish is applied to the finish to give it a porcelain-like sheen. The blue drawings are done with a pen and improvised without much thought.
Materials: I painted and drew directly on a recycled bottle. environmental problems caused by human activities such as climate change and plastic From this point of view, I make the works in this series based on Upcycling. From this point of view, I make the works in this series based on Upcycling.
Inspiration: The organic drawing of this piece was inspired by moss and lichen. That's why I named it "Mosschen". This artwork is from a series called "Organic Concept", and its concept is "Getting the artificial close to nature". Painting a bottle which is an artificial object into a solid white and drawing Mosschen on it, I try to get the artificial close to nature conceptually.
Technique: As I think both the artificial and the natural are fragile and ephemeral, I make the works of this series imitating ceramics. I actually use the color light gray instead of white to create a richness and brilliant varnish to give them a brightness like a ceramic. Blue drawing is improvised by only a pen trying not to think much.
